Speaker
Description
This study explores the historical origins and evolution of the Kappa Malong
Malong dance of the Maranao people through a mini-ethnographic approach. Using
semi-structured interviews, participant observation, and historical documents, the
research highlights how the dance evolved from a cultural expression into a
performance art form shaped by both tradition and modern influences. Findings reveal
that while institutional figures such as the Darangen Cultural Troupe and Prof. Ele
were central in its popularization, community custodians such as the onor (traditional
chanters) and elders played a vital role in preserving authenticity. Two major themes
emerged: (1) The Historical Origins, highlighting the roles of documentation,
attribution, creative inspiration, and cultural memory; and (2) The Evolution,covering
the transformation of movements, expressive styles, and external influences such as
borrowed choreography and audience-oriented adaptations. Seven key participants
contributed diverse perspectives: a cultural practitioner, cultural expert, local official,
community member, cultural ambassador, student performer, and physical education
teacher. Their insights reveal a balance of lived memory, institutional record, and
contemporary reinterpretation. Results underscore the importance of preserving the
dance’s authenticity amid modernization pressures. The study concludes that the
Kappa Malong Malong is both a cultural archive and a living performance, requiring
balanced preservation and adaptation to remain relevant for future generations.
Keywords: Kappa Malong Malong; Maranao dance; cultural preservation;
performance evolution
